Category: REVIEWS
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Lowfeye’s NOSANGE Is a Portrait of Identity and Intentional Artistry
Lowfeye arrives at his debut album with a sense of clarity that feels earned rather than assumed. As both a solo artist and one of the founding members of the Qwellers collective, his presence within South African hip-hop has been defined by steady growth, a distinct sonic identity, and an ability to move between genres…
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LaCabra Makes His Case for Longevity on MR BULLY
Since emerging through the Qwellers, LaCabra has steadily expanded his catalogue, building a reputation rooted in consistency and control. On MR BULLY, his debut album, that progression crystallises into something more tangible, marking a turning point rather than just another release.
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LaCabra Steps Into His Champion Era With Assertive New Single Ballon d’Or
With MR BULLY set to arrive on 27 February, LaCabra continues to build momentum through carefully paced releases that reveal different facets of his artistry. Following the reception of lead single “Sala Kanje,” the Durban rapper returns with “Ballon d’Or,” a trap-leaning flex record that signals both sonic growth and sharpened confidence ahead of his…
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Usimamane Refines His Flex-Driven Soundscape on ‘G-Wagon Music: Baby Tai’
Usimamane has never approached rap as a quiet craft, and G-Wagon Music: Baby Tai makes that clear from its opening moments. The six-track EP thrives on presence and conviction, positioning the Umlazi rapper as an artist fully comfortable occupying space through confidence, luxury imagery and unfiltered trap energy. The project arrives with a focused sonic…
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Stogie T Confronts Moral Decay and Memory on Expansive ‘Anomy’
Longevity in hip-hop often demands reinvention, but on Anomy, Stogie T proves that evolution does not always require abandoning foundation. Instead, the veteran lyricist sharpens the very qualities that have defined his career, dense writing, philosophical inquiry and an unwavering commitment to storytelling. Released through Motif Records, the twelve-track album feels less like a comeback…
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Nasty C Reclaims His Narrative on Liberating Fifth Album FREE
For over a decade, Nasty C has existed in a space few South African rappers have managed to sustain: globally visible yet deeply rooted at home. With FREE, his fifth studio album and first release under his independent imprint Tall Racks, the Durban native steps into a chapter defined less by industry co-signs and more…
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Ivyson Tour 2024: Nasty C Is Still the Coolest Kid in Africa
2024 has been a testament to the resilience and undeniable star power of SA Hip Hop. From hit records dominating charts to sold-out shows across the country, even the harshest critics can’t deny the genre’s vitality. And what better way to round off such a remarkable year than with Nasty C’s highly anticipated Ivyson Tour?
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Blue Pappi Breaks New Ground with OHLAZA EP, Blurring Genre Lines
The Qwellers have become a driving force in South Africa’s Hip-Hop scene, crafting street anthems that resonate deeply among fans and music circles. Their music has yet to dominate the charts, but its influence on the streets and within hip-hop culture is undeniable. Now, Blue Pappi, one of the collective’s standout members, embarks on his…
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Zulu Mecca’s SEAMS EP: A Masterful Return to the Forefront of South African Hip Hop
After a noticeable hiatus, Zulu Mecca has returned with SEAMS, an EP that cements her status as one of South Africa’s most compelling and innovative voices in hip-hop. Known for her exceptional storytelling and distinctive sonic landscapes, Mecca’s latest offering is a rich soundscape that melds a variety of musical elements, showcasing both her growth…
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Ney’s VUKA EP: A Daring Declaration of Artistic Evolution & Unstoppable Ambition
Anele ‘Ney The Bae’ Zondo’s highly anticipated VUKA EP marks a defining moment in her musical journey, one that exceeds the expectations set by its title. While it may be called an EP, its length, subject matter, and cohesive sound position it closer to a full album.